Swim With Dolphins Cuba

Colonel Gene - Hello Hello Hello Baby


Here we are promised the post of Colonel Orlando dedicated to Giancarlo.
We have chosen only her first songs, finishing the sorting to 1960, plus a piece of the following be added as bonus track "virtual.
Let me clarify one thing: this post would be reached.
As you know the blog has a predilection for characters not exactly common. E 'born for this reason. In the coming weeks are there other "weekly releases" based singers who some call "minor", a term conventional and stupid. Again with the help of
Kurtigghiu as in this case.

Giancarlo She was sixteen when his friends, enjoying a break from the singer's owner, pushed him on stage in a hall on the outskirts of Milan and forced him to sing. The result was an engagement by Aldo Maietti, the celebrated conductor specializing in Argentine tango.
For a couple of years the young singer got busy, three nights a week, singing in English to the tune of Caminito, El Choclo and The Violetera , dressed in an unlikely gaucho costume with lots of hat and kerchief tied around his neck.

By day he worked as a designer at a printing and lithography, as long as he could, he held up both activities. When Pino Calvi then signed him for an entire season in Salice Terme, was forced to choose. The mess was hard, fifty, sixty songs for the evening plucking bass but after the pink card, the months spent in the CAR Cuneo (I know what you're thinking ... yes, in Cuneo) were even harder. With the last name he found himself was to be the target of every joke on the part of comrades and by the superiors. The situation also contributed a slight speech impediment, which would have also created some problems in live performance, especially in the songs with too many Rs. But the good character and ended up liking prevail. Back from

gang, Giancarlo was faced with a new music scene. No more flourishes and melodies, no more tangos assassins after the turn of Flying and As before, after and Diana Only You people not in the halls did not want to know what kind of music and decided Colonel to adapt. First he wanted to be called Gene . It was the summer of 1958 and with the orchestra of Tony De Vita made the entire season in Varazze in this new role as a rocker, winning the acclaim of the public and also the estimation of some insider. In autumn, in Venice was the meeting with Renato Carosone, who at that time was planning to set up his own record label. Gene was the first artist to be hired and the 45 that began with the vampire the other night I presented in a way like a true expert in the marketing record: the first single, as appetizer, then the real album , which is what we deliver to you today with a lot of original artwork packaged by the legendary Kurt.

The first 45 laps of Colonel Gene is also the first 45 laps (AS code 60001, year 1959) of Stereo, the label with which Carosone, after years of huge success with Pathé, continued to produce records for another short period before the resounding farewell to the stage. The same Carosone wrote for him the following year Cow Boy and Gene began to attract attention to the Ice Palace in Milan, where with Mina, Celentano, Gaber and many others he founded the "Festival of the Juke Box". At the end of 1959 comes Hello Hello Baby who is also his first real success: the doors of RAI-TV broadcasts and Gene is involved in leading as "the musician" , "four steps between the notes" and then "Happy Holidays" with Gorni Kramer Quartet and the Cetra. B-side is The moon and the cow boy Buffoli the master, which was also recorded by Mina. In March 1960 Gene participates in "Six Days of the song" paired with Paula, another singer of the generation of howler of which today we lost track. Between the two print features a flirt, but more important is that at the end of six days of their song, Let star moon (for lovers) is proclaimed winner of the event. Seabream with square-rimmed tortoise, which in the memory of the child I was confused with Jimmy Fontana and Pepper, Gene had actually a totally different voice: a lovely voice "of his chest" like a little 'as a way to that Tony Dallara, which lent itself well to both the melodic and rock which to swing, as this collection shows us.

The next step in the career of Colonel Gene participation in 1960 was the second "Festival Musicians' , an event that unfortunately stopped that same year for the tragic death of its promoter and organizer, Maria Riva. At Festival Musicians competed songs composed by amateurs, which were then completed (in the text or music) from famous authors, from Modugno Mascheroni, Carlo Alberto Rossi, Umberto Bindi. The latter selects the text of a certain Andrea Cason, A paradise for sale, to compose the song that is played by Gene colonel and that he will decide then record a solo version. B-side of this is the famous 45s soundtrack "Never on Sunday" , titled in Italian One you, one for me . Other scores are part of this collection, from Gloria (from "BUtterfield") to Maria (from "West Side Story").

Gene Colonel singer's career did not continue for long: many are the reasons that bear his signature as an author, although the most dramatic case is that I do not have the age of , also mentioned in the comments of the page blog last Thursday. Officially attributed solely to Nisa and Panzeri, the winner of Sanremo 1964 was written in reality, also Colonel, but for the vagaries of the Rules of those years, each composer was present in only one contest plea (the songwriters did not have this limit). Given the choice, Colonel Winter only wanted to sign what do you do? and found himself mocked when the song was deleted. Even more so when it was awarded first prize at Cinquetti, against all the odds that on the eve gave favorites as Paul Anka and Bobby Solo. The Colonel's song My preference is too long , perhaps a bit flawed interpretation 'too melodramatic by Milva. Performed with less emphasis and arranged in a less traditional, maybe it would become a classic.

Songs and advertising jingle composed by him can be found on many websites. A brief foray back in the '80s with "califanesco" Gene as a singer I was just given by the Vampire. I like to remember the first version of Gene, what emerges in the recordings of this raqccolta, a character and so generous that certainly in the pages of newspapers and in the schedules of Tigga deserved, at least at the time of his death, a thing more.

next Sunday, if the Vampire "allows me"

Orlando

HELLO HELLO HELLO BABY
01 Venus (Calibe-Marshall) (1959) 02
When (Chiosso-Reardon-Evans) (1959)
03 Cow Boy (Nisa-Carosone) (1960) 04
Not Seek (Valleron-Locatelli-Bronze) (1960) 05
A Paradise for sale (Cason-bind) (1960) 06
One Of You One For Me (Jade -Hadjidakis) (1960) 07
Hello Hello Hello Baby (Calibe-Gerson) (1960) 08
The Moon And The Cowboy (Nisa-Buffoli) (1960) 09
Never mind the moon (Mirror-Trombetta) (1960)
10 in love (AVSavona) (1960) 11
Scandal Al Sole (Calibe-Mogol-Franchi-Steiner) (1960) 12
Sin (Beretta-Trombetta) (1960) 13
Gloria (Deville-Kaper) (from the movie BUtterfield ) (1960) 14 Eyes
Matti (Deville-Van Heusen) (from the movie Let's Make Love) (1960)
15 (BONUS TRACK) Maria (Bernstein-Deville) (from film WEST SIDE STORY) (1961)

Toddler Second Birthday Invitation Wording

better not to trust any of Giulio Manfredonia

Any

DIRECTION: Giulio Manfredonia

ACTORS:

Antonio Albanian

Sergio Rubini

Lorenza Indovina

Nicholas Rigney

David Jordan

GENRE: Comedy

LENGTH: 96 min.

Top of crap. Painful jokes. The worst of the worst.

In the first ten minutes, no one from the audience has not laughed. Not once.

first laugh (but not too loud) after the first ten minutes on the famous line from the receipt. Second

laugh (light, actually) on the beat of taxes, that if you pay once and then are like drugs.

Third laughter, the joke if it is legal on the side of the law. Fourth

"laughter" (should we define it: light movements with rice) on the pun “date a Cetto quello che è di Cetto: accetto!” (quando Cetto decide di candidarsi come sindaco). E praticamente il primo tempo è già finito…

Comunque tengo a precisare che a ridere è sempre e solo un quarto del pubblico presente in sala.

Sarà satira , sarà critica alla società italiana…sarà quello che volete…ma per me è solo una gran pena.

Quella di Albanese è una comicità greve. Pesante. Stomacale e noiosa. Una comicità che può andar bene per i dieci minuti della macchietta in Tv ma non regge il ritmo di un film. Tutt’altra cosa la comicità di Checco Zalone. Quella è genuine, authentic and sublime fool that takes you and accompanies you throughout the duration of the show.

But this is the blockbuster film and laugh so much magnificence in the media? Well then

chapeau with those of marketing! They ensure that they are good, but La Cetto Whatever.

rating: zero!

Gaardus Building Instruction

Kathy & Gulliver - How Do You Do (1972) Gene


this morning reading the newspaper interview about the umpteenth Albano Sanremo which will take part (but what they need? boh ..)
I was shocked by the ease with which he alleged that in 1976, teamed with Romina, has sold a million copies in France with WE'LL LIVE IT ALL AGAIN in the French version.
Then I said that the habit of shooting absurd and inconsistent figures regarding the numbers of discs sold is a little mania of the singers of a certain age.
may not realize that there are books in the world rankings and sites internet through which we can deduce that if a song was a smash hit, fair, acceptable or bland.
Globalization, as well as lead to aberrations like the lout with piercing Avetrana despite a physical peasant of the nineteenth century, has provided us with evidence which put the lie to anyone not fear thousands or millions of copies (in) sold.
At this rate, one day we will read that Donatella Milani beating the record sales total in Bengal and Tiziana Rival won platinum in Gulistan.

disc this evening I will not say that it is rare but certainly not easy. Beware, however: "rare" does not mean expensive! We do not make the mistake that many do, or is inclined to the builder or the butcher who is the disk home and think you have done the deal of the century. There are disks that are seen but little in the market have a lower average price.
Why? Why not demand it.
The story of this duo is simple. Kathy Vergara, sixteen year old Italian-American (born 1956) meets at the English Steps in Rome (city nela who lives with his family) Santino Shoe (Gulliver), en route from Florence.
Santino twenty-two years and is of Salerno but lives with his family in Florence.
make friends and she often goes to Florence to meet him.
A Ponte Vecchio, where the two are singing with a group of friends (at the time, Ponte Vecchio was a hostage-like hippies and drug addicts) are heard by Tullio Grazzini, disc jockley SUPERSONIC of them that leads to Rome to RCA.
They record a song just came out, of Belgian origin, HOW DO YOU DO, sung by Mouth & McNeal and success do not expect much.
The song is cool, pleasant and Kathy's voice so youthful and bright (reminds Sally of Middle Of The Road) like the public and became a summer hit. But not only in Italy despite the original as we have said had already left (even Windows, two German, had recorded) manage to break even in Germany, Portugal, Sweden and other countries.
The same song is also recorded by Sylvie Vartan titled YOUTH '.
Kathy & Gulliver affecting other three singles this long playing: then they do not know anything. With
Kurtigghiu, Prince supporter of this post, we decided to add a bonus track extrapolated from the last single from the duo: ANGELS AND BEANS written by Guido and Maurizio De Angelis (and also signed by Bud Spencer) for the film EVEN THE ANGELS eating beans.
The disk itself is very pleasant: a fresh, light pop, traditional product for a precise target audience looking for a kind of sound that only the RCA at that time could provide.

KATHY AND GULLIVER (1972)
01 Chelsea (De Natale-Ansbach)
02 How Do You Do (Van Hemert - Van Hoof)
03 The Time Before (L.Stott-Ansbach) 04
Hey Boss (L. Stott) 05
Swing Swing (L.Stott-M.Nascimbene)
06 Music Everywhere (De Natale-Ansbach)
07 Rub It In (Martine) 08
Colours (L.Stott-Ansbach)
09 Sixteen Dandelions (And Clover Leaves) (L.Stott-Pintucci)
10 Thinkin '(C. De Natale )
11 An Faraway Island (Cab-Ansbach)
12 I Know The Rain (Walk-Ansbach)
13 (bonus track) Angel And Beans (Pedersoli-G. & M.de Angelis) (1973)

Quotes When Family Member Is Sick

TIPS FOR FILM IN DVD "The American" by Anton Corbin

The American

DIRECTOR: Anton Corbijn
SCREENPLAY: Rowan Joffe
ACTORS: George Clooney, Bruce Altman, Violante Placido, Thekla Reuten, Paul Bonacelli, Filippo Timi, Irina Björklund, Samuli Vauramo , Björn Granath
GENRE: Drama,
Thriller DURATION: 103 min

The beginning is a bit 'postcard. Sweden. The snow. The wooden house with lighted windows in the forest. A couple comes up and starts walking legs sinking into soft snow: Jack (George Clooney) with a white beard very attuned to the landscape and the beautiful Ingrid (Irina Björklund), whose role in the film is designed almost to an appearance .

Suddenly a shot rings out and the film swings into action. Jack is a mess.

It jumps to Rome. Jack no longer has a beard. From the snow in the sun.

chase him, want him out. E 'in Rome for help. Search for a contact. Contact, Pavel (Johan Leysen), arrives, gives him a car and tells him to go in Abruzzo and stay there for a while '.

From the beginning the film moves very much for stereotypes. Not for the characters. Clooney seems rather woody, stout. Seems to play a character rather than a pattern.

Apart from the beginning, the film is all shot nell'aspro Abruzzo, but little change. It could also be shot in the Bronx. There is little sensitivity to a culture other. Little desire to represent it than as a reflection of the film.

But let's take the movie seriously. What a man can be a man like Jack? Has no past, no present, no future. But there un uomo così? Che pensa? Ha un’anima?

In quel di Abruzzo Jack non ha contatti eccetto che Pavel (per telefono), padre Benedetto ( Paolo Bonacelli), che appare un prete dal passato equivoco e molto intrusivo, e una misteriosa Mathilde (Thekla Reuten) che richiede a Jack, esperto artigiano, un’arma speciale per uccidere (”chi” lo sapremo solo alla fine). Però in molti lo cercano per ucciderlo.

Questo è la sua esistenza: Jack non pensa, agisce.

L’anima di jack la scopriremo solo quando incontra Clara (Violante Placido), una prostituta di cui alla fine si innamora.

Jack, si capisce ben presto, è un uomo senza futuro. Le basi su cui costruire un futuro sono vacillanti come quelle del film di riuscire a costruire un thriller che ti entusiasmi. “Il Giornale” qualche settimana fa l’aveva messo come il “film sconsigliato della settimana”. Non a torto, forse.

Anche una scena di sesso che nelle intenzioni del regista forse avrebbe dovuto essere hard, in verità risulta piuttosto moscia e spenta.

L’inseguimento in vespa del killer svedese che era venuto dal lontano paese scandinavo per uccidere Jack è probabilmente la cosa più elettrizzante del film.

Se c’è una cosa che Jack riesce a trasmettere, bucando lo schermo, è il senso di solitudine e l’impossibilità di vivere normal relations of a normal life because of his profession (killer).

well made the final images.

Outdoor Wedding Ceremony Wording

TIPS FOR FILM IN DVD "The Prophet" by Jacques Audiard

The Prophet

DIRECTOR: Jacques Audiard

ATTORI:

Tahar Rahim

Niels Arestrup

Adel Bencherif

Reda Kateb

Hichem Yacoubi .

ORIGINAL TITLE: A Prophet

GENRE: Drama

LENGTH: 150 min

Malik And Djebena Arabic French was arrested. Maybe he tried to stab a policeman. E 'age and is transferred to the Central with the common prisoners. It 'probably good. It 'probably un bravo ragazzo. Non sa leggere né scrivere, non ha un lavoro, una formazione professionale. E’ uno che non esiste ma ha solo sei anni da scontare. Saranno i sei anni che cambieranno la sua vita.

Arriva al Centrale e la telecamera gli si stringe addosso soffocando, da subito, in modo ossessivo le scene. E’ tensione fin dalle prime scene. Tensione ed attesa.

Tensione perché viene aggredito, derubato, maltrattato.

Attesa perché viene chiuso in una rete senza scampo dalla mafia còrsa capeggiata da Luciani. Deve uccidere un arabo che andrà a testimoniare contro Luciani. O lo uccide o sarà ucciso. Non c’è scampo.

Si prepara all’omicidio. Qualcuno lo istruisce. La tensione sale. Deve sgozzare. Sgozzare come un maiale un altro arabo che, nei bagni, gli ha chiesto una fellatio in cambio di fumo. E’ l’occasione giusta che la mafia còrsa cercava per avvicinare uno che non esce mai di cella e non ha mai contatti con altri detenuti. Tensione senza fine. Tensione ancora. Ossessione. Umiliazione senza fine.

C’è una via di salvezza per un-senza-identità che né i cristiani né i musulmani dentro il carcere rispettano?

Sì. Uccidere ed essere più furbo e più scaltro degli altri.

Ha bisogno di protezione in quel carcere: senza protezione non sopravvivrà. Luciani gliel’ha detto. If slaughters the other will protect and survive. Finally

slaughters another. But still it is submission and humiliation. Luciani and his gang use it as a servant and abuse. The Arabs hate him because he is with the courses.

will have visions that night after he slaughtered the 'other. Visions like the ancient prophets Muslims.

Luciani's will have permission to leave the prison, is losing power and need someone to work for him outside the prison. Luciani things not as they should. Who protects him is soft and he needs someone to take the connections inside and outside the prison. An Arab brother will

Malik coverage as a mechanic at the Imam of a mosque (which may indoctrinate the Arab rebellion), Luciani contacts to get permits in record time.

finally comes out on leave, from morning to evening. Feel the freedom at last after three years. But freedom is compromised. A freedom from double agent. Again, no way out. But he is a prophet. A spirit helps him. He was born in him the genius for business. The dangerous business of drugs. Become a war inside and outside the prison. But he is a prophet inspired. He has the genius of leadership, the spiritual leader. Luciani yet that law. The other Arabs in prison are still hostile. But he has more brains. He is divine. He has visions ....

Bello wonderful film. If you have the strength to endure to the end, until the last scene ...

O.f. Mossberg & Sons Inc Model 195

Colonel - Venus (1959) & The E 'L' Love (1982)


This picture you see was taken with a Hasselblad to the Derby in Milan in 1967.
A group of friends in this an extension of the picture and the artist is not Andreasi Felice, who was intent on laughing bystanders. The striking thing is that more than half of the photographers have gone to a better life.
was 1967 ... it seems like yesterday but 44 years have passed.
wonder why the same year, certainly seemed far in 1923 compared to '67 (44 years) that the 1967 to 2011. They

, recognizes them, right?
Perhaps before this night, the last right you would have problems. As you know by now that Gene is Colonel. Frank Dee
three days ago I said "why do not you post s Gene Colonel, has been missing since a few days?" I replied that I do not like to be - as they say most of our contempoanei - "event".
I did spend a few days and then I'd be busy.
Then I thought that if you do not talk about this blog, but who must be spoken? Gene is not
Colonel Gianni Morandi or Adriano Celentano, no media overexposure (another word for shit in vogue today).
And that is why Orlando will speak for him Sunday in a post dedicated to his songs of the period 1959-1960
E 'failed in a place I know like my pockets: Stradella.
And the funeral was celebrated in the church of Santa Maria della Versa, another place to me than family, which are linked emotivamente e sentimentalmente.


Io non scriverò nulla che rigiuardi la sua vita artistica. A quello ci penserà Orlando.
Posso però presentarvi il primo quarantacinque da lui inciso che è VENUS di Frankie Avalon in versione italiana e WHEN, sempre in italiano, inciso in originale da Cliff Richard e dai Kalin Twins.
Il secondo singolo è invece un ricordo del 1982. Negli anni ottanta, Colonnello decide di ritornare alla canzone da esecutore, dopo molti anni passati a scrivere per altri. Mette da parte il nome di battesimo e si presenta al pubblico col solo cognome. E tra i brani più noti c'era sicuramente QUESTO E' L'AMORE.
Un brano piacevolmente intimista con delle pecche with regard to the text (often obvious and banal). Best back.
For tonight I have said enough. For more news about Gene
Colonel (now referred to the Internet is still lacking) you will know more in the post-test announced.

COLONEL GENE - VENUS (1959) 01
Venus (Marshall-Calibe) (4-1959) 02
When (Evans-Reardon-Chiosso) (4-1959)
COLONEL - THIS 'LOVE (1982)
01 This is Love (Albertelli-Colonel) (3-1982)
02Un wing beat (Albertelli-Colonel) (3-1982)

Patch 2.0a No Cd Age Of Empire 2

Vallanzasca - angels of evil by Michele Placido

Vallanzasca - The angels of evil

DIRECTOR: Michele Placido.

ACTORS:

Valeria Rossi Stuart Solarino

Filippo Timi

Moritz Bleibtreu

Francesco Scianna.

GENRE: Drama

LENGTH: 125 min

A film with a nice 'start, enjoyable for the use of Italian dialect that you have right away but just plain and strong and continues as the film starts, always fast and with the same rhythm. A robbery after another. A murder after another.

And maybe here, now, the limit is manifested in this film. A descriptive analysis of the life of another without Vallanzasca add. A hard

the beautiful René. Mica an idiot. A master of hard life. Master of robbery and weapons cool. One who goes his own way, is what it is. One who takes what he wants. One who does not accept the rules, laws and taxation and spitting in life all the strength of the muscles of the body, breath, skin and bones, blood and anger. Anger that pervades those years and that comes out in every way in robberies and murders of the "boss Comasina" and bloody struggle to Francis Turatello (before he became friends in prison) as well as in political struggles and terrorism that underpin all the world from the late sixties early eighties: the Red Brigades in Italy to the RAF in Germany and Action Directe in France, the army Red Black Panthers in Japan to the United States (not to mention the Palestinian terrorism and Carlos).

And this is the common denominator of Evil Vallanzasca with that of a terrorist who has killed so many causes and bloodied Italy el 'Europa like Vallanzasca.

Placido know what to make films no doubt. Above all, knows how to move in the seventies, who has lived in full. But in the end make a movie that makes a niche despite action movies. Too much violence, too limited to pure generation company violent little digging into the psychology of the character too physical and not very nice of human René (if one can speak of human).

Bravissimo the cast. Two above all: Kim Rossi Stuart and Filippo Timi. In truth I think Filippo Timi overlaps a span Kim Rossi Stuart as unable to give his character (Enzo) a depth and complexity that is missing in Vallanzasca (Kim Rossi Stuart)

rating: three stars (but a bit 'Scarsini)

Hayete Arabic Meaning

Poker 45 Laps: Augusto Martelli / Miguel & I Caravan / Mario Del Monaco / The Grimm


Now back to business as usual after the short break posting the first "poker the 45" of the new year.

AUGUSTO MARTELLI - CAETTAN WAKE, WAKE ME I TAGGIAEN FA (1976)
It 's almost a tradition to play with the language of the Genoese, Portuguese and pretending to be using the music as an area rug or a bossa nova rhythm that points to Brazilian music . Aguamanda for the label (owned by the same Augusto Martelli) released this single in 1976 with a title that suggests a tongue twister, but that means "Lady Catherine, I do these noodles?". A very nice piece written by Franco Franchi , which is not in the pard Ciccio Ingrassia, but an author zenese that those who follow the blog has already got to know earlier. The back, BUTTA LA PASTA Senor, by the signatures, it would seem to be an acronym. Someone will confirm or not. A salute to
Augusto Martelli, who is also a reader of the blog.
MIGUEL and caravans - Frightened (1962)
Who is Miguel & I Caravan? Riddle useless since they already shows us the cover: Toby Lightman. This is his first single, when it was called by his name and surname. Then the disc would be released about three years after being reprinted.
Disc blog knows that already. But it is also interesting, I think, to show the original, with a different back.
Frightened, we all know, means "the refrigerator". I do not know if you've ever seen that special dedicated to Rosanna Schiaffino, where he comes from a refrigerator to the fact that Toby Lightman sings this very song. The back, or BERTOELA, means "the bully".
Here you play with the language of Genoa that is perfectly suited to a music brand purely Brazilian.
MARIO DEL MONACO - UN AMORE COSI 'GRANDE (1976)
unexpected success, that of Mario Del Monaco, who, after having presented the disk to MUSIC NOW, you see launched in the national hit parade.
Performed with great fanfare (as befits its scope to a standard) UN AMORE COSI 'GRANDE also becomes the ultimate workhorse of Claudio Villa (but we are already in the eighties). On the back DICITINCELLO vuje, in an interpretation
"important."
I GRIMM - DREAMS IN PINK (1974)
Perhaps you know the Grimm for their participation in Sanremo in 1979 with LIANA or their most successful singles like "Be My Baby, Angel or princess.
But did you know that the brothers Romano (born in Naples between 1952 and 1957) in 1971 were called Cockers? And to let him record two individual thought Gianni Morandi and his mime? The father intends to launch these three guys contacted many singers and celebrities, some told him negatively, others not responded at all and others (eg, Sophia Loren) would not even accept a cassette. Then, in Rome, in studies of MiMo, not having boxes available, s'industriarono in an impromptu session on the stairs singing of Marmalade REFLECTIONS OF MY LIFE. Result: The two-incision 45.
Then they passed under the wings of the brothers La Bionda to remember.
DREAMS IN PINK is a very pretty song, style bubblegum.
Although in 1974 the term was outdated bubblegum. We say that their singing was very similar to the nascent adenoidal Bay City Rollers and the very first Sweet.

AUGUSTO MARTELLI
Cattaen 01 Wake Wake Me I Do I Taggiaen (F.Franchi-A.Martelli) (1976) 02
Butta La Pasta Senora (Marchesi-Palazio-Hammer) (1976)
MIGUEL & Caravan
01 Frightened (g.calabrese-B.Lauzi-G.Reverberi) (1962) 02 A
Bertoela (g.calabrese-B.Lauzi-G.Reverberi) (1962)
OF MARIO MONACO
01 A Love So 'Grande (Ferilli-May) (1976) 02
Dicitencello Vuje (Fusco-Falvo) (1976) GRIMM

I Dream In Pink 01 (Minellono-Colombini-Roman) (4-1974 )
02 For Tonight (Colombini-Roman) (4-1974)

Vans Shoes :blog Intext:comments

THE WOMAN WHO SINGS of Denis Villeneuve

The woman who sings

DIRECTOR: Denis Villeneuve

ATTORI:

Lubna Azabal

Mélissa Désormeaux-Poulin

Maxim Gaudette

Remy Girard

Abdelghafour Elaaziz

ORIGINAL TITLE: Incendies

GENRE: Drama

LENGTH: 130 min .

the film starts slow and soft, with nice background music and a valley surrounded in only one country in the Middle East. Then the camera slowly draws back and takes us inside a room full of soldiers and children who are shorn like sheep. One of these sad eyes and bad. Hatred has already penetrated. This was marked with a tattoo on a heel.

Then change the scene. We are in the office of a notary public in Canada, which reads the text of a dead woman, Nawal Marwan, the twin sons of her: Jeanne and Simon.

The reading of the will against the children. According to the wishes of the children must find the mother and father to give each brother a letter. The children did not know absolutely that you have a brother and knew for certain that his father had died. They get angry, especially Simon. Quarrels with his sister because he is determined to follow the will of the mother who does not want any epitaph on the grave until the day that the children will not have fulfilled his will. And here begins the story of the film. A hard, cruel face that throws us into a world unknown to us Westerners.

The story is divided by cross-narratives: the daughter who looks for traces of the mother's life in that country in the Middle East, a history unknown to her, the film tells us alternating it with the search della figlia. Un crossover ben dosato che salta dalla incredulità della figlia che via via scopre la vita disperata ed estrema della propria madre e le immagini crude di una guerra spietata fra faide di cristiani contro musulmani e musulmani contro cristiani che hanno punteggiato la gioventù amara della madre. Una gioventù vissuta in un mondo primitivo, duro e senza pietà.

Un film viscerale, fatto di corpi come carne da mattatoio, di sudore, sperma, sangue, rabbia. Odio soprattutto. Un modo magari un po’ vecchiotto di fare cinema ma che ha il fascino del documentario di guerra, che ti prende per mano e ti tira dentro in una storia angosciante ma che non ti angoscia. It makes her and you can not give up, like when you read a thriller all in one breath.

The finish is full horror. The horror of a truth that only war can generate a mathematical formula, a direct daughter of Evil:

1 + 1 = 1

to you to discover the result of blind hatred formula.

Questo non è un film mainstream , questo è uno di quei film che dura nel tempo. Fra dieci anni avrà ancora la sua forza d’impatto.

Voto: quattro stelle e mezzo

Free Sample Letters For Church Anniversary

dangerous maze of control: let your rituals.

Author: Dr. Robert Cieri

Marta is a girl who attends high school, every time he faces a trial want to wear the same green jersey, because only then think you can get a good grade, Peter is a middle-aged man who has to perform special magic rituals for a specific number of times so that everything goes bene a sé e alla sua famiglia; Sandra è una signora che ha il terrore di essere contaminata dallo sporco ed è diventata schiava di complicati rituali di pulizia che è costretta a svolgere e nei quali coinvolge anche il marito e i suoi figli; Cristiana invece è impegnata a ripetere nella sua mente delle formule ritualizzate perché pensa che la proteggano da qualcosa di grave che altrimenti potrebbe accaderle.

Secondo voi che cosa accomuna queste persone?

Notiamo intanto come tutte loro abbiano bisogno di sentirsi rassicurate rispetto a qualcosa e come abbiano creato delle formule o dei rituali per proteggersi da qualche evento negativo che potrebbe accadere, che è accaduto o, al contrario, per propiziare che qualcosa possa andare per il verso giusto.

I rituali, le modalità di svolgimento, il numero di ripetizioni e/o la loro durata variano da persona a persona poiché ognuno ha i suoi personali rituali, quelli che in psicoterapia vengono definiti compulsioni. Le compulsioni possono essere delle azioni da eseguire che possono avere una componente magica, oppure ne hanno una razionale, come nel caso dei controlli, dell'ordine e della pulizia. Ma le compulsioni possono anche essere semplicemente pensate: sono delle parole o delle preghiere che vengono ripetute in una data sequenza o per un numero di volte ben preciso.

Chi si ritrova intrappolato in impegnativi e logoranti rituali, ha la convinzione che essi siano non only useful but necessary, for themselves or their loved ones. In addition, when the ritual fails, the set is not running it long enough, so instead of calling into question their own certainties, we feel compelled to increase the time or the number of the rituals themselves, convinced that they have not done yet enough.

Rituals are subtle and for many years, people who develop an obsessive compulsive disorder can go along and be dazzled and harnessed in their apparent ability to reassure. Unfortunately, only the traps that the mind constructs need certainty when ...

Typically, those coming to seek help from an expert understands that his own need for control is making a prisoner, just as those who want to exit a maze that he has built so well that they can no longer find the way out.

Psychotherapy can give good results if you use tools and strategies apt to this kind of problem, so it's important to those who have real experience in the field thanks to years of field research and application in clinical practice .

Birthday Ecards For Perverts

sinuous forms of storytelling


Francesco de Marco, The cyclist .


"Without End", the English folk tale just posted, some interesting reflections on the nature of the narrative. Made or heard by others has its own meaning and its enchanting beauty regardless of the content and complexity of the plot. A simple story, even minimal, told with the pace and tone right, it can be so effective that it becomes fascinating and hypnotic. They were fully aware of the Druids who could make their stories, tune on the sweet vibrations of stringed instruments, a weapon much feared. Even asleep enemies.
The pleasure of a story that magically knows how to be so persuasive is essentially linked to the power of "iteration" to rhythmic regularity of the repetition. "Without End" is a clear example and reminds me a bit 'a popular song that I sang my mother, "The sheep is in the woods", another variant of "The Fair of the East" as made famous by Angelo Branduardi.
"Endless", the story open so infinitely infinitely iterable, suggests the essential form of narrative: a process fluid, potentially permanent, however, consists of a series of several circles (like knots or twists and turns of a dance!) In which the wire the logos-speech wraps for primordial instinct that compels all want to be the pure reproduction of the existent. But it is just enjoying the pleasure of this winding that being (And therefore also the logos of being is perhaps the most complete expression) is preparing to relax the horizontal (line) of going-over, delay it until it is needed. The narrative tension is in fact delay the dissolution of the circle-node, possible through immersion in the current discourse. The circle of repetition is the thread twisted maze of the dance, taken from the primordial rhythm of what they want from himself and only himself endures forever (as suggested by the obsessive tribal rhythm of percussion instruments?). But this abandonment of the most primitive and instinctive pleasures (repetition, which has plenty of space in rock music), through a kind of regression uterine (think of the nursery rhymes and lullabies), is essential because it absorbs enough energy to generate the momentum that enters and exits the ring in the new (the horizontal progression, the line, which breaks the circle and proceeds to points unique according to the chronological order). This double movement contains within itself the essential principles of the aesthetic, rooted in the body, which by its nature seeks to motion as the rest. In harmony with the voltages and cycles of biological life, repetition (think of the refrains of songs, the set formulas or epithets contained in the epic songs) and the relaxation of the fable comprising in equal measure, dynamism and inertia. The importance
che nell'esperienza estetica riveste il ritmo è stata analizzata a fondo da Susanne K. Langer in Sentimento e forma . Essenziali sono i capitoli dedicati alla danza e potremmo dire che per la Langer la danza, con i suoi passi ritmati e la sua naturale adesione alla liquida architettura della musica, è presente in ogni momento della nostra vita estetica, in-formandola segretamente.
Immagino che nell'arte non occidentale, come nella musica africana od indiana, questo interno movimento, fatto di fluida e ritmica alternanza tra ripetizione circolare e distensione sinuosa, risulti più evidente. Ma non saprei dire come e in che senso. Lo sento ad orecchio semplicemente, e immagino che anche la narrazione proceda nella letteratura orale o scritta in modo meno concettualmente strutturato di quanto accada da noi. Ricordo a questo proposito un romanzo africano, letto alcuni anni fa: La via della fame di Ben Okri. Mi aveva colpito proprio per il ritmo narrativo, che mi rimandava a scansioni, intervalli, battute, del tutto nuove e originali, proprie di un altro modo di costruire il racconto. Che non sembrava infatti procedere da una "costruzione" ma correva via, da sé, alternando lunghe fughe, soffiate dall'intensità lirica della voce narrante, a rallentamenti e pause. Penso che nei prossimi decenni letterature mondiali diverse da quella occidentale ci sapranno dare contribuiti preziosi, e forse porteranno po' di sangue alla nostra, così sterilmente appiattita in a repetition (imitation of the kind of model or sanctified by the establishment editorial) that has nothing enigmatic and vital.


Ben Okri, The Way of hunger, Bompiani, 1992
Susanne K. Langer, Feeling and Form, Feltrinelli

Amblyopia Join On Us Army

THE NOT RECOMMENDED: "I, Lara and their" Carlo Verdone

Io, loro e Lara

REGIA: Carlo Verdone

ACTORS:

Carlo Verdone

Laura Chiatti

Anna Bonaiuto

Marco Giallini

Sergio Fiorentini .

GENRE: Comedy

LENGTH: 115 min

Carlo Mascolo, missionary priest in Africa decided to return to his family to Rome because he believes he lost his faith and strength to continue the mission. As often happens after long absence, returns home to confront us with a very different reality from what you knew before you leave. Charles returns to Rome with the hope of finding solace in the religious crisis, that the troubles within his family, but here all has changed, and all are taken from their problems and no one will have time to listen to those of Charles.

Alberto's father, former retired general, has lost his head for a carer of Moldova and goes on to boxes of Viagra. Brother Louis, a professional broker has become rather addicted to cocaine. Sister Beatrice psychologist has not a penny nor the patience to listen to its customers. Finally, the beautiful young Lara, who enters the life of this family to accentuate the contrasts and the dynamic side of the story of the film.

the presentation of the movie had Verdone said: "I could not stand more than the usual characters scoundrels, bourgeois, the usual stories of horns. Testimonials that they laugh so much, but I did not enjoy myself more now ... "And indeed the film does not enjoy that is strictly necessary: \u200b\u200bonly a few bars and based on the craft more than anything else. And if Verdone wanted to do something different from other films, all that remained at the level of intentions. The film does not seem to differ much from previous ones. Verdone's world is always the same: vulgar mob, caciarone, continued with the final arguments and the "good blood volume" of Sordian memory.

The jokes more or less the same. The way of acting does not change. The facial expressions too. There are only adapting to the times by throwing in the pot along with the usual Buzzurro roman a handful of immigrants, an issue that seems increasingly applicant in Italian cinema.

The thing that strikes is that even this time, while talking to a priest in a crisis of faith, has resisted the usual caricature of the character and boastful braggart who is praised and Imbroda, who has traveled the world and who knows everything (when she is critical to the priests, "those who speak on TV and rub your hands ..."). This time the speck out of place and it is out of place.

is very bad, in my opinion, see the credits that the film has been declared of cultural interest. If this is truly the best that Italian cinema is capable of producing no wonder then that the market share Italian products has fallen from 27.46% in 2008 to 20.76 in 2009 fall by the wayside almost 5 million viewers.

One very positive note: Laura Chiatti. Congratulations!

Eye Exam Cost In Dallas

FILMS TO AVOID (number 1): Jon Favreau's IRON MAN 2

IRON MAN 2

Director: Jon Favreau

Writers:

Justin Theroux

(screenplay)

Stan Lee (Marvel comic book)

Stars:

Robert Downey Jr

Mickey Rourke

Gwyneth Paltrow

Runtime: 124 min

Genres: Action The movie starts with the most typical Hollywood bull shit style and doesn’t deviate from that until the end. The most intolerable, annoying, irritating , disgusting, trivial American characters will walk you for all the way.

Nevertheless there are some climax in the movie which will definitely leave you speechless and numb on your seat, like the fight scene in Monaco during the cars race or the birthday party scene at Stark’s.

My question is: is it really possible to shoot such a trash? I honestly believe that it should be forbidden to produce movie like this. They are noxious for the human intelligence.

If you don’t trust my words, you can challenge yourselves looking at the Hammer’s exposition when Mr. Tony Hammer presents the new weapons for the USA Army. If you survive those scenes, be strong for the end. If you eventually resist the glossy and pathetic end, then it’s you that you are the real superheroe!

Ski Doo Tundra Not Idling

TIPS FOR FILM IN DVD "The Battle of Red Cliff" by John Woo

La battaglia dei tre regni

REGIA:

John Woo

ATTORI:

Tony Leung

Takeshi Kaneshiro

Zhang Fengyi

Chen Chang

Wei Zhao

Episode

Chi bi

GENRE:

Action

LENGTH:

148 min. The word comes from the Latin entertainment inter

+

keep that in the original sense can serve to "keep within a certain state." So in its original sense the word means "to keep someone in a certain state, able to hold it in that particular state for a period of time." And yes, because the film takes you from the beginning and takes you into a world of improbable and impossible actions, where the impossible is possible. Where everything is action and live up actions exaggerated beyond belief. Of wisdom and knowledge of the mysteries of nature at the edge of magic.

The film takes you and keeps you glued to the screen all the time and you do not spring to the end, only granting the fluctuations in the chair where she continues to fret about the continuing twists and stunning sequences of battles, Lord of the type rings: long and bloody battles, yet beautiful and fascinating. Beautiful colors, beautiful images of a glossy world of myth and fable.

The dialogues are in the stereotype: the values \u200b\u200bof high and heroic ideal of real men who fear nothing, least of all death, and that

are ready to face anything but seductive art and charming beauty of the feminine so powerful that it set off a war among three realms in faraway China. So I'm thinking that Horace, the Latin poet, then he had a point when he said

Nam ante Fuit Helenam cunnus

Taeterrima beautiful because

So in the end it is always because of a woman who the real men end to worry and cut his throat, and that Horace had ben capito

riferendosi alla vulva di Elena. Ma che l’avesse capito anche il Divin Poeta? Non so, ma il dubbio è forte e mi inter-tenet :

Ma già volgeva il mio disio e ‘l velle

L’amor che move il sole e l’altre stelle

Japanese Woman Is Molested In A Train

Review: 1944-1963 - The bands / Torquato Y Los 4 - Quireme Siempre (1959)


1944-1963: THE ITALIAN MUSIC COMPLEX, their story through pictures

(Maiotti Publisher)

In my wanderings on the net I often have seen strong demand for rock'n'roll Italian, on blogs or abroad, I myself had started a blog that would contain these things, but then, a little 'for inconstancy, a bit' because after you find your stuff somewhere else without a thank you from those who have the frigates (maybe even with demand offerings for signing up for a mailing list), the more sincerely because it takes time on their hands, I left ' adventure. And I opened another, which I leave open for now, while I get a new inspiration that could lead a discussion on an ongoing basis.
More often I have wondered what is the reason why the record companies not release their back catalog from time to time, rather than repeat the usual 20 names every year: I am convinced that the work of the record is that of a manager who makes contact, it distributes to other pressing and follows the processing stages of a product to put on sale, all aimed at making money. No matter what product, even a few years because the market will be completely transformed and maybe you will (or are already doing) tons of money selling intangible things, that the MP3 ... that have the status they have. Bah.
How do independent labels, you could publish material even limited-edition pieces of historical CGD, RCA, etc .... Am I dreaming? Well, things are almost always the case: whether the request for Lady Gaga is 10, and that for Van Wood is 3, push the accelerator on the first and never mind the second one (at most, the second you find it in the basket at the supermarket bargain price with the usual 20 songs).

Sometimes you find whole discography of an Italian abroad remastered on CD (we will discuss below) and this, too, suggests that there is a thirst for these particular things, although clearly not aimed at the majority users. But luckily there are.
Then there is publishing in the last year I was pleased with the publication of several books in the field, and some I dropped my choice, I was curious about the great San Remo almanac published by Panini and I got the book on Cinebox, fantastic, and still others, often strangers.
But what I tell you now, after the initial pleading, I think the first "field study" of this scale: a study of Italian groups, male and female, from 1944 to 1963, mainly explained. A pictorial journey through our musical history, from the most famous to the most obscure. This means that the postcards of groups and singers will be the advertising poster, the color reproductions of covers of 45, EP, LP, 10 ", the unpublished photographs provided, often the artists themselves, all accompanied by stories about training in Italian and English, discographies and memories of those who have given their time to the author of the box in question.
indivisible bag that contains two volumes printed on glossy paper and cover with semi-rigid, divided into topics that speak of swing, rock'n'roll, jazz, vocal groups and orchestras by night club, and not only that at some point that you want?
A Table in the queue to the second volume contains all the names mentioned in 840 pages, and if you try to search for Silvio Berlusconi, the result will refer to two pages with some photos and a brief history of the group to which he belonged, in the second mid-50s. The President has personally contributed to this work, and, in fact, is remembered as its contribution in the first few pages, not just him but many other actors of that period were contacted and interviewed over the past few years to make their Justice: I remember a meeting between me and Carl Cori, son of Roger who was the voice of the early formation of the Quartet to Marino Marini, and consequently the meeting with the editor for news about Roger. Or the one with Potito
Dipace drummer who took over in 1960 in the same formation, and now runs a music shop in the province of Milan.
The Vampire is cited among the "credits" of this work.
Frankly, I waited anxiously for some time and this release, and when I heard that last week began distributing to bookstores, I rushed to pick up my copy, and knowing my protege, Maurice Maiotti fact (that I know from away 1985), the work could only be excellent from what I saw. The tome is published
in'edizione limited to 1000 copies, and can be found at the Feltrinelli network or from specialist bookshops across Italy (a list of stores is available here: http://www.jamboreemagazine.com/pages/ cercoevendo.htm).


Among the many groups on site, I decided to introduce an EP of Torquato and 4, started from Cremona in 1958 and later became very famous in Spain in the early 60s.
This training has come under my magnifying glass by accident when I happened to listen to "Baby Night" two years ago and decided to find out more, I came across a handful of EP very common to find. What I present today seems to be the rarest of the lot (but not the rarest of their records, it seems), recorded in 1960. Most important feature of the training was to overturn famous songs, creating compelling versions, such as "Away From You", originally recorded by Fred Hammond with Asternovas in 1958, which here becomes a rock and roll "up-tempo," or my favorite, "A zebra a pois" transformed into an energetic rock-twist with the title "The cebra a pua" (found in another EP but added here as bonus). The Diamonds "Little Darling" seem to have been the model for the revival of "I live because I love you, and the only song closer to the standard is the classic folk" Tom Dooley. "
It was not uncommon, given the success in Spain, unbeaten in songs sung by them, all in Iberian language, while the normal translation of their name in Torquato Y Los 4. I know that
you're wondering: "Was it a quartet and they were called Torquato and 4, you alluded to something more?". Sure: Torquato was the "name" of the bass, which was live on stage in a central position, since playing it was the singer, Mauro Sachinni.
before alluded to foreign reprints of Italian record: the case of this group, which is the subject of a collection published by the independent Rama Lama Music three years ago, he remastered 30 tracks of their discography Philips (including "Selene", just played in the "disk Romanian" Modugno) and republished them in a CD booklet with extensive explanatory. In Spain, of course, where if you remember them better than here in Italy.

Frank Dee

TORQUATO QUATROS OS Y (1962) 01
Quireme Siempre (I live because I love you) (Guthrie-larch-Lines)
02 Tom Dooley (De Penagos-Gevane)
03 Lejos De Ti (Far It Yourself) (Buscaglione-Chiosso)
04 El Fin (The End) (Krondes-Jacob-Wheel)