E siamo arrivati anche all'ultimo giorno di febbraio.
Questo mese, tradizionalmente sanremese, sul blog viene concluso con la seconda raccolta di canzoni di Joe Sentieri.
Raccolta che reca parecchi successi del Festival nell'interpretazione del cantante genovese.
Questa sera ci fa compagnia Orlando accompagnato come sempre dalle grafiche di Kurtigghiu.
L'assassino torna sempre sul luogo del delitto, ha detto qualcuno sulle pagine dei commenti. Due anni e mezzo dopo il primo volume, torna pertanto Joe Sentieri con una seconda raccolta del materiale da lui inciso per la CAR Juke Box. Riascoltando queste canzoni, per prima cosa mi viene in mente che è riduttivo ricordarlo solo as the singer of the hop. " Joe Trail was first a beautiful voice, with an unmistakable stamp of vibrato and a much more natural than, for example, Tony Dallara, just to cite a colleague who was often compared because of the common definition of a "screamer."
The comments on the first volume, we discussed why many of the voices of that generation did not survive the after-beat. Of course, everyone will say, it was a style become outdated and Celentano, then, O Little Tony, or Mina, or Johnny Dorelli? These are a few exceptions: at the bottom of the vast majority of people who had said at the beginning of the sixty is suddenly meet the most depressing anonymity within the next two or three years.
In those years of intense exploitation of the media-45s, one of the key factors in the success of an artist was to be able to "guess" the right pieces at the right time by meeting the tastes of an audience as large possible. In other words, to survive the artist should know how to build their own repertoire, with songs that "only he" could sing, and that the public should be able to identify only with one voice. This is what happened to Mina, who has had over the years the opportunity to create a songbook quite unique, as it happened to Celentano, for the charisma that, for better or for worse, has characterized his character. Singers such as Cocky Mazzetti, or Remo Germani, I cite two names at random, 1:00 to 2:00 had great success but a repertoire of a number of pieces mediocre or uninteresting. This is perhaps one of the reasons why the public soon forgot them. Even Joe
trails maybe it went like this: It's after midnight and When evening comes, the singer was in need of confirmation, the repertoire was enriched, but perhaps the only piece in the collective memory to be left in addition to two already mentioned is one of many , song of the great impact the arrangement anticipates the soundtrack "For a Fistful of Dollars , even se Morricone ha dichiarato di sentirsi più debitore di Dimitri Tiomkin e del suo Deguello , pezzo al quale lo stesso Sergio Leone lo obbligò ad "ispirarsi".
Bolle in pentola anche un terzo volume di Joe Sentieri?
Proprio non so, per informazioni rivolgersi al Vampiro in persona.
Grazie per l'attenzione e buona settimana
Orlando
LE MIE CANZONI
01 E' Vero (Nisa-Bindi)(1960)
02 Nun M'Aspetta Dimane (A.Testa-Birga)(1959)
03 Prima Di Te (G.Calabrese-Levinson)(1960)
04 Blu Blu (Green Green)(G.Calabrese-McGuire-Sparks)(1964)
05 Grey Sky (Testoni-Birga)(1959)
06 Piove (Verde-Modugno)(1959)
07 La Luna E' Un'Altra Luna(Biri-Testa-DE Giusti-Rossi)(1959)
08 Uno Dei Tanti (Mogol-Donida)(1961)
09 It's Only Make Believe (Twitty-Nance)(1959)
10 Quella Sera (Ce Soir)(Panzeri-Giraud)(1960)
11 Geppyna (Mengeri)(1960)
12 Buona Notte Roma (Zapponi-Romeo)(1960)
13 Quando Ci Si Vuol Bene (Come Noi)(G.Calabrese-Isola-Zambrini)(1963)
14 Oggi Ho Rivisto Te (G.Calabrese-Reverberi)(1960)
15 Romantica (Verde-Rascel)(1960)
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